On your phone? Grab 2 free plugins now and download them on your computer later.
Get them freeMixing
How to duck a delay so it doesn't clutter your vocal
Duck the delay. Put the delay on a send, then put a compressor after it, sidechained to the dry vocal. While the vocal sings, the compressor turns the echoes down. In the gaps between lines, the echoes come back up. Some delays, like Ricochet, have this built in.
How to do it
- Put the delay on an aux/send track, 100% wet, and send the vocal to it.
- Add a compressor after the delay and set its sidechain input to the dry vocal.
- Use a fast attack and a release of 200 to 400 ms, so the echoes return smoothly after each phrase.
- Lower the threshold until the echoes drop 6 to 12 dB while the vocal plays.
- Turn the send up more than usual: ducking lets you have bigger echoes without the mess.
Why it works
Echoes under a vocal blur the words. Ducked, the delay only fills the space between phrases, so the vocal stays clear and the delay still sounds big.
RicochetBouncy echoes that shimmer with chorus and duck out of your vocal's way.See Ricochet →Free starter pack
2 plugins, free. Forever.
Toaster adds warm saturation and Overdo squashes and lifts every band, over the top. Make a free account and they're yours.
Get them freeMore tips
- Why does my mix sound muddy?A muddy mix almost always means too much energy in the low mids, around 200 to 500 Hz. Here's how to find it and cut it, with a before and after.Read and watch →
- What does a compressor actually do?A compressor turns the loud parts down so loud and quiet sit closer together. Threshold and ratio explained simply, with a before and after.Read and watch →
- Why does my bass vanish on phone speakers?Phone and laptop speakers can't play deep bass. Saturation adds harmonics your ears hear as the same note, so the bass shows up everywhere.Read and watch →